Take Romeo and Juliet and put it in current times with the Israeli and Palestine conflict and we have Ronit & Jamil. A smart Israeli girl and a smart Palestinian boy, both raised by doctors who meet in passing assisting their fathers at a hospital. Thus begins this little (178 paged pocket sized) universal love story.
This story reads quickly and even quotes a few lines from Shakespeare’s work. What is unique in this modern retelling is that communication not only occurs via text messages, but that Ronit and Jamil, unlike Juliet and Romeo, know the entire time they are going against family rules and cultural laws. In fact, knowing how their relationship would be both a disgrace and punishable, makes them value their time together even more than the immature star-crossed-lovers. The forbidden love is similar, as it has probably occurred throughout time, but these passages make it modern in a way the reader – even if unfamiliar with the Palestine and Israeli struggle – will follow.
Throughout the alternative narration, Ronit and Jamil have similarities with their family lives and their own interests, as seen in the passages “What I love” and “What I hate”. The overall tone is one of finding love and while being afraid of rules, family, and law, holding onto that love through a time of war; finding joy and truth when it contradicts what you were led to believe. Ronit and Jamil eventually must face their reality and which they will chose: family or love.
Veda is a trained prodigy in bharatanatyam dance. In India, she is well respected as a skilled dancer. When a bus accident results in the partial amputation of her leg, she not only loses the ability to dance, but also her connection to the story of the dance and its significance to her culture.
Trying to overcome the unfairness of the accident is only part of her struggle, she must learn that her identity as a dancer must change or disappear altogether. Knowing dance is in her heart, she finds strength to not only begin dancing using her prosthetic leg, but to begin many aspects of her life again. Helping her along is her lovely grandmother who has supported Veda in dance and life and Jim, the American doctor who fixes and teaches Veda how to use her new leg. Veda is strong and resilient and when her dance teacher refuses to continue teaching her, she finds another dance teacher who isn’t put off by her disability. In fact, it’s at this new studio where she meets Govinda, a young dancer and dance teacher, who treats Veda as an artist.
This is a story about more than dance, but the spirituality of dance cannot be ignored. It’s as important to the story as any character. This is a beautiful novel about healing the mind, body, and spirit.
Everywhere in Everything
Everywhere, in everything, I used to hear music. …
in the scents of cumin, coriander, and red chili. Wrap my arms around Paati’s plush body. At night I’d hear music in the buzz of hungry mosquitoes swarming outside my mosquito net, …
In the grey-green hospital room silence stretches. (42-43)